The Book Was Better: Watching vs Reading Fantasy

It’s not uncommon to hear people complain that a film didn’t do justice to the book it was based on. Maybe you’ve even been the person doing the complaining. I know I have.

Sometimes a film version of a book just flat-out disappoints. Sometimes it highlights all the wrong parts, or cuts out your favourite bits, or is badly acted, or poorly shot, or presents the climactic moments in a way that drains them of all tension. Of course on the flip side, some film renditions can be great, and there are several out there that have delighted fans.

However, my intention here is not to bemoan the flaws and strengths of various film adaptations. Rather, I’d like to acknowledge something that I think will always affect our reception of book-to-film adaptations: Continue reading

Does Loving Epic Fantasy Make You a Monarchist?

Okay, admittedly that seems like an odd question. But if you’ve ever stopped to think about the attitudes to royalty presented in fantasy stories, particularly epic high fantasies, it’s not so absurd. There is a very obvious bias toward royalty, and the idea that a person born into a role is the most rightful and qualified person to perform that role. Continue reading

Judging a Book by Its Name: 10 Common Trends in Fantasy Titles

Title Trends and Fonts (Orbit 2009)

Chart showing most frequent fantasy book titles and fonts in 2009, Orbit Books, http://www.orbitbooks.net/2010/08/19/the-chart-of-fantasy-art-part-4-title-trends/

People often talk about how difficult cover designs are to get right, and the role they play in selling books. Titles – the things plastered all over those covers – are a less frequent topic of discussion.

Given how responsive we are to images and colours, covers probably are more important. Still, if you’re online, or talking to other book lovers, sometimes the title is the only thing you see or hear. Continue reading

Why We Read Fantasy: Is There a Secret Ingredient?

For years, perhaps since the earliest fantasy criticism, authors and critics have touted the element of ‘wonder’ as being central to fantasy, and to some extent, science fiction.

We’re often told that it’s why we’re drawn to the genre, that it’s this particular intangible, magical feeling of awe that we are seeking when we dive into Middle Earth, linger in the corridors of Hogwarts, or encounter the many worlds and peoples of Star Trek.  Continue reading

On Pesky Childhood Influences: Are Your Ideas Really Yours?

Have you ever had a moment where you realised that an idea you had—one you thought was brilliant and original and entirely yours—turns out to be someone else’s? And I don’t just mean someone beat you to it. I mean you actually got the idea from another person, then forgot about it?

In a story I’m writing I have been planning a pivotal scene: one where two characters finally kiss. I’ve had an idea for a romantic setting for a long time and I thought this might be the opportunity to use it. Continue reading

Talking Trees… and Other Sentient Vegetation

I have a friend who cannot stand talking trees in fiction.

Talking animals are fine, and she’s happy to accept a whole range of other incongruous fantasy logic (for example, werewolves that turn back into humans and still have their clothes on). But trees that talk, or walk, or are in any way sentient? She finds them stupid. And a bit creepy.  Continue reading

Difference for Difference’s Sake

I spent half of the final year of my film degree working as a producer on one short film. For most of this time, I was convinced it was going to be great.

I first heard the story idea in the class pitching session, where a panel of tutors were deciding which six student films would get made that year. The soon-to-be writer-director of this particular film pitched his premise. It really grabbed me. And not just me—the panel were convinced too.  Continue reading