Book Cover: Dreams of Ice and Shadow by Kathryn Troy
This week I’m pleased to welcome Kathryn Troy back to the blog – last year Kathryn shared her thoughts on what it means to be Lovecraftian. Now she’s launching the second book in her gothic fantasy series and stopping by to take a look at the enduring appeal of vampires and how she uses them in her work:
Bram Stoker was certainly not the first person to craft a vampire story. Serialized tales like Varney the Vampire and Sheridan Le Fanu’s Carmilla were written decades before Stoker published his novel in 1897. Polidori’s The Vampyre was published in 1819, almost a century before. As serials and penny-dreadfuls, vampire stories had gained a modicum of popularity, which created a climate that was ready to accept Dracula. But it was Stoker who propelled and solidified the genre into the veritable beast it has become. Continue reading
What does it really mean to be Lovecraftian? This week I’m delighted to host a guest post by historian-turned-novelist Kathryn Troy, who has just released her dark romantic fantasy novel A Vision in Crimson. Her historical expertise in the supernatural and the Gothic informs her fiction at every turn, and she’s stopping by on her blog tour to take a look at the influence of Lovecraft on speculative fiction:
Howard Phillips Lovecraft is one of the most influential authors in American literature. His craft, his universe, his subject matter and underlying themes are so pervasive in speculative fiction—fantasy, sci-fi, horror, and everything in between—that his impact is seen and heard the world over, even when it isn’t recognized as such.
You’ll be hard-pressed to find a speculative fiction author today who doesn’t know who Lovecraft is, or doesn’t attribute him with having at least a modicum of influence over their own writing. But what does it really mean to be Lovecraftian? Continue reading