My last post was about adjectives that turn me off books in promotional material, so this week I thought I’d turn it around and look at some common book-selling adjectives that might make me more likely to read a novel. Of course, no one word alone is going to sell me something, but there are a few that would help pique my interest if other signs are good.
I’ve ruled out obvious genre-markers like “fantasy” and “science fiction” (from the title of this blog it’s already pretty obvious I like those kinds of books), and narrowed it down to five that are most likely to catch my eye or appeal to my personal tastes: Continue reading
Whether it’s in a blurb, a social media post, an email from an author or publicist, or an advertisement, I often see adjectives used to promote books… and while some of those adjectives do their job well, I’ve noticed others immediately rub me up the wrong way. These seemingly innocuous little words provoke grimaces or eye-rolls, instead of doing what they’re presumably meant to do: make me want to read the book.
Of course, these are specific to me and my personal tastes, but I thought for some fun, and in case it helps anyone know how not to promote a book to someone like me, I’d list a few that stand out. Continue reading
There’s no doubt that a really good “what if?” scenario – a fascinating premise that envisions a society or world with a pivotal difference to our own – is a big hook for a speculative fiction book or film. An intriguing premise will almost always entice me to go see the film at the cinema, particularly a science fiction film.
On the whole, science fiction does these “what if” scenarios really well (especially dystopian sci-fi), and the concepts are memorable. I’m sure many people could guess which popular science fiction films the below scenarios refer to: Continue reading