This week I’m excited to bring you a guest post from writer, English teacher and Marvel fan Josiah DeGraaf, who blends the fantasy and superhero genres in his writing. He takes a look at what fantasy authors might learn from the successes of genre-mixing in superhero fiction:
If you aren’t much of a superhero movie fan (or even if you are), the upcoming slate of movies Marvel alone is trying to push out may seem rather exhausting. 10 more films in the next three years with plans through 2027? It’s no wonder you have people like Spielberg predicting superhero films will go the way of the Western and burn out in the near future.
Yet, despite all the films churned out by Marvel and DC, moviegoers keep purchasing tickets without any signs of stopping. Superhero stories are a (relatively) narrow genre—and yet many viewers (such as myself) regularly see two to four superhero films a year, despite the criticisms Marvel’s received for weak villains and paint-by-number three-act stories.
How has Marvel been able to keep selling tickets without running into genre fatigue? There are multiple reasons, but there’s one I’d like to focus on: Marvel keeps the genre feeling fresh by mixing it with other genres. This is a skill that not only budding novelists can be taking advantage of—but a skill some of the best fantasy authors today are using to craft unique and brilliant stories. Continue reading
One of the criticisms I often hear levelled at books is that they take a while to “get interesting”. Even well-crafted first chapters can be a tad slow if the characters, world and story haven’t fully sunk their claws in yet. Nonetheless, I think most readers know to stick with a promising book even if it’s not immediately riveting, because they will be rewarded if and when those claws do sink in. Some of my favourite books had beginnings that didn’t powerfully hook me, so I don’t expect to be utterly wooed from the first line, or even the first few pages.
Occasionally, however, I am. Some books have striking openings that grab me and tug me forward, creating a level of excitement I might not normally expect for at least a few chapters. I always find these beginnings impressive, and enjoy trying to pinpoint what it was about them that drew me and other readers who raved about them in so completely. So for this post, I thought I’d do just that, and look at few “hooks” from beginnings that enthralled me: Continue reading
About four or so years ago, I read a large number of “how to” books about creative writing. I read them because I was a new writer wanting to hone my craft, but also because I was writing my master’s thesis at the time. It involved analysing existing writing advice about world-building… in short, seeing what other writers had to say about inventing and describing fictional settings. Some of the books I read were very useful, others not so much.