The fantasy genre is rich with a myriad of sub-genres, and each has its own conventions and trends. With the different terms floating around out there it can be easy to confuse or overlook key sub-genres. Finding a succinct list of the most notable ones – particularly a list with definitions and examples – is not always straightforward. So I thought I’d put my reading and researching to use and assemble one. Continue reading
If you read a lot in the genre, recognising a book or film as “fantasy fiction” is probably something innate and automatic. However, if you’re not familiar with it, or if you’ve wondered where the lines are drawn, a definition might help to clarify things.
But how do you define something as slippery and changeable as a genre? Continue reading
Ever since I was a kid, I’ve loved reading fantasy novels. I can read and enjoy books outside of the genre, but it’s always been much harder for me to love a book – to become completely engrossed – if it’s not fantasy (that said, I recently read The Help, and it turned out to be one of the exceptions to the rule). Sure, I’ve dabbled in a few other genres, but fantasy is where my heart has always been.
Up until a couple of years ago, however, the spread of other genres I’d sampled had a glaring omission. Continue reading
I’ve encountered quite a few fantasy and science fiction authors – famous and popular ones at that – who, when asked about their decision to write in the genre, say something along the lines of “oh, well, I just write what I write and someone slots it into a genre later, I don’t think about what genre I want to write in”. There’s often this additional implication that ‘genre’ is a dirty word – that is the oppressive tool of publishers and bookshops. Books get hemmed in and categorised by this evil notion of genre, and their authors get pigeon-holed as ‘fantasy writers’ or ‘crime writers’.
Frankly, I never understand this. I love the word genre. Continue reading
Okay, it’s not really a battle. But when you look at the two bookshelves in my house – two identical IKEA monstrosities – there’s an obvious difference.
The one on the right is stuffed with autobiographies and memoirs and a myriad of non-fiction… books on economics and the Internet age and business and psychology and politics. Nelson Mandela’s Long Walk to Freedom cosies up next to Jared Diamond’s Collapse, and a rather ominous book titled The Shallows: What the Internet is Doing to Our Brains. Continue reading