How fantasy subgenres have changed in the last decade

Bookshop display of romantasy and romance books with a sign that reads "our booksellers recommend"
Romantasy and romance books on display at Avid Reader bookshop in Brisbane, 2026 (Photo: Nicola Alter)

Over ten years ago I wrote a post that ended up being one of my most read of all time. I had just come out of tutoring a course on genre fiction, and I was frustrated by the fact that when I looked up fantasy subgenres online I would get one of three things: a detailed look at a few specific subgenres that ignored all the others, a breakdown of someone’s own very personalised way of categorising things, or an epic three-digit list of every fantasy sub-genre under the sun, many of which I’d never heard of.

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What is steampunk and why does it exist?

Vintage German postcard shows a bustling cityscape with cars, trams, a suspension railway, a winged postman, and flying machines; caption reads “Berlin in the future"
Historic German postcard that imagines Berlin in the future, Bröhan Museum, Berlin.

I recently visited a city called Wuppertal in central Germany. It’s not your typical tourist destination, but I had my sights set on a particular, admittedly very nerdy, goal: I wanted to ride on the ‘Schwebebahn’, the oldest suspension railway in the world. This truly odd and unique structure was completed in 1901 and is still used today for local public transport… and from my first glimpse, I was charmed. Not only does the railway have an extremely historic “steampunk” vibe, it winds through a city that retains other remnants from that period – rustic old brick factories, billboards in archaic fonts, steel bridges, Art Deco stations.

The whole experience also made me reflect on the moment 6 years ago when I first heard about Wuppertal, which was also, not-so-coincidentally, the first time I fully grasped what steampunk is and why it exists.

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Genre is Not a Dirty Word

I’ve encountered quite a few fantasy and science fiction authors – famous and popular ones at that – who, when asked about their decision to write in the genre, say something along the lines of “oh, well, I just write what I write and someone slots it into a genre later, I don’t think about what genre I want to write in”. There’s often this additional implication that ‘genre’ is a dirty word – that is the oppressive tool of publishers and bookshops. Books get hemmed in and categorised by this evil notion of genre, and their authors get pigeon-holed as ‘fantasy writers’ or ‘crime writers’.

Frankly, I never understand this. I love the word genre.  Continue reading →